Singaporean-based Studios at Indie Prize Singapore 2017

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Singaporean-based Studios at Indie Prize Singapore 2017

April 22, 2017 — by Yuliya Moshkaryova

Sixteen games from Singaporean-based teams will be showcased at Indie Prize during Casual Connect Asia 2017 in Singapore.

Game Title: NEO Impossible Bosses
Developer: Edwin Fan LiangDeng
Platform: Desktop Win
Website: neoimpossiblebosses.coder-ddeng.com
Country: Singapore

NEO Impossible Bosses is an RTS-MOBA Raidboss Rush in which you utilize a number of heroes to defeat the IMPOSSIBLE BOSSES!

Editorial Industry News

Legend of Zelda Delay and Nintendo’s Shift to NX

May 3, 2016 — by David Radd

Nintendo has made some announcements about its future plans for the NX, which not only portends certain things for Nintendo’s next console, but also its current ones: the Wii U and 3DS.

Nintendo’s current slate of platforms includes the Wii U home console and 3DS portable console, the former having launched in 2012 and the latter in 2011. While some might hope for a longer lifespan for both devices, there’s reason to believe that they may both be wrapping up soon. Developers should be aware of the likely fates of the two consoles if they’re to consider development on either, so we unpack the recent Nintendo announcement and try to glean what’s really being said.

Video Coverage

Joel Breton on the opportunity in free-to-play, setting up f2p partnerships and finding the critical factor of f2p games

December 27, 2012 — by Catherine Quinton

Joel Breton has been working in the video game industry since the mid 1990’s. He began shortly after leaving college in San Francisco, and has been working as a developer and producer since, always focusing on the design side of games. Among the games he has most enjoyed working on, Breton lists Sea Dogs and Bomber Man Live. Recently, he relocated to London to work with game publisher 505 Games, setting up a free-to-play (F2P) games business unit.

It All Comes Down to Fun

When Joel Breton describes the creative process involved in his work, he says, “For me, everything just comes down to fun.” As a producer he is “non-stop checking it to make sure the fun factor is in there.” And as a developer, he is equally focused on making sure the game flow is constant and to avoid elements that make the game a chore.

Celebrating-Game-of-the-year-award-with-team — Celebrating Game of the year award With Hudson Japan and Backbone Vancouver Bomberman Live team.

Breton plays games constantly; as a result he can identify what those core fun factors are. For him, multi-player games are much more enjoyable than any single player experience or playing against the artificial intelligence. He particularly enjoys games when players from diverse areas of the world can play together.

Fun in F2P

In the free-to-play games model, it is essential to offer immediate enjoyment for the player. As Breton says, “The beauty of the free-to-play model, the casual online games model, is that you can try it out and see how well you can engage with it.” Then, if the player is enjoying the game, there are ways to become more deeply engaged with the game by monetizing. For the consumer, Breton believes it to be a great business model that will most likely grow.

Joel-with-XBOX-development-kit — Joel arriving in Moscow 2002 with First XBOX development kit in history.

In the free-to-play space, it is more important than ever to get the tutorial and the first experience right.

But free to play requires us to look at game design in a completely different and often challenging way. “In the free-to-play world, the first time user experience is absolutely critical; if you don’t get that right, the game is not going to work.” Breton emphasizes, “If they’re giving away the game for free and hoping to monetize you later, then they just have to make sure you get really engaged in that first session that you play and get you to where you really love the game.” In the free-to-play space, it is more important than ever to get the tutorial and the first experience right.

Breton maintains that it is up to the game designer to figure out what’s fun and how to put it into their game no matter what the mechanic is. Avoid elements that make the game seem like work; instead, surprise them with unexpected fun features to allow them to really enjoy the experience. Breton states that the developer’s job is to create a fun and compelling game. The publisher then should focus on getting that game to the widest audience possible. When he is analyzing a game to decide whether this game is one to distribute and market, he looks at it first as a consumer and considers if he would enjoy playing it. He asks himself if there will be an audience for the game and if it is on the right platform. However, he emphasizes that “The absolute first question you gotta answer is, is it fun? And if no, then cancel.”

505 Games is focusing on building a portfolio of entertaining cross-platform games. Keep an eye out for more announcements.